KES Transactions on Innovation in Music

KES Transactions on Innovation in Music
Publisher: Future Technology Press Vol. 1 No. 1: Special Edition - Innovation in Music 2013 Date: 31-Dec-14 Remarks: Printed edition published November 2014 Online edition published April 2015
CONTENTS
Technical Keynote Speech: Investing in Quality - At What Cost? Crispin Murray	1 - 6
The Vocal Tract Organ David Howard	7 - 19
A Quantitative Evaluation of Signal Masking in Summed and Compressed Audio William Campbell, Justin Paterson, Rob Toulson	20 - 31
pMix-Touch Oliver Larkin	32 - 40
Potential for reduction in noise exposure using closed back headphone monitoring for rehearsal - a pilot study Christopher Barlow, Adam Wenman	41 - 52
The challenge of monetizing consumer behaviour via advertisements in a multi-sided music business environment Ainslie Harris	53 - 66
Wavefondler - a multi-touch interface for iPad to control audio on a host computer via a visualization of the waveform Justin Paterson	67 - 78
Game Scoring: FEZ, Video Game Music and Interactive Composition Mack Enns	79 - 93
Audio-Photographic Art: An introduction to music and photography as a single art object Hali Santamas	94 - 100
Crowdfunding Digital Musical Instruments: A Case Study Andrew McPherson	101 - 109
Sampling the Past: A tactile approach to interactive musical instrument exhibits in the heritage sector Kenneth McAlpine	110 - 125
The Progressive Heavy Metal Guitarist's Signal Chain: Contemporary Analogue and Digital Strategies Matthew Shelvock	126 - 138
Real Time Drum Augmentation with Physical Modeling Benjamin Eyes	139 - 146
The OWL: An Open Source, programmable stage effects pedal Thomas Webster, Guillaume LeNost, Martin Klang	147 - 157
Automated 'Wow' Generation In Musical Composition Darrell Mann, Christopher Bradshaw	158 - 169
The Game Pulse - Timing Game Events and Music Events Sander Huiberts, Richard van Tol	170 - 185
Music On The Screen Bruce Darlington	186 - 200
Interdependable: Case studies on improvisation, composition and choreography in contemporary dance. Robert Smith, Ben Challis	201 - 212
Embedding ISRC Identifiers in Broadcast Wave Audio Files Rob Toulson, Barry Grint, Ray Staff	213 - 223
Evaluating harmonic and intermodulation distortion of mixed signals processed with dynamic range compression Rob Toulson, William Campbell, Justin Paterson	224 - 246
The Slow Burn: Questioning the discourse surrounding popular music success and exploring opportunities for entrepreneurship in 'the long tail' Marcus O'Dair	247 - 262